Eight hundred years ago, imagery was one of the most commonly used assets of the Church in worship. Serving a congregation of mostly illiterate worshipers meant that the "worship leader" had the heavy responsibility of commissioning art and imagery that would teach without words about the grand luminosity of a GOD who was also as close as our next breath. Even in our literate age, we find that words still fail to communicate the "bigness" of themes and ideas in the same way that an image or a symbol does.
In recent weeks we've been conversing about the
power of media and image in story-telling; but we've also been talking about expanding our vocabulary and even
crafting a new "dictionary" for terms that we take for granted inside the culture of faith. Beautifully, these two endeavors serve each other.
Surely every worship leader, worship VJ, liturgical artist has discovered that you can change what a word means or the intention of a space, a song, or a theme by the image or symbol that you present alongside. The image itself becomes a frame. A story-telling device. An interpretive voice.
In the same way that our language has become too small - not wrong, just too limiting - so have our frames. And this then feeds the too-small vernacular of a giant faith. So we create more small-frame pictures to tell our now diminishing story....you get the picture. (no pun intended)
Hear me out, I'm not just talking about the use of clip art and primary colored vector pictures of a cross. I'm talking about well-created, fabulously executed, uber-savvy images that come from Christian culture that say one thing to one audience.
When art becomes that purposeful, that monochromatic (so to speak), that agenda driven it becomes propaganda, no matter how excellent the execution of design.There's a song we do every now and then at Ecclesia that you probably know: "Grace Flows Down" by Lou Giglio. Here's the thing. Depending on the framing, that song can be either a very feel-good song about how GOD is soaking me in happy grace vibes OR it can become a reflection on the missional work of GOD in our lives to transform us
(painfully), nourish us with hope even when we are dry with feeling,
keep our eyes on something entirely bigger, grander, and far more
important than me and my stuff. Really, I'm not trying to be sarcastic...
The song lyrics read: Amazing grace / how sweet the sound / Amazing love / now flowing down / from hands and feet / that were nailed to a tree / your grace flows down and covers me.
Here are two images to consider for framing that song:
IMAGE 1:::

istockphotography.com
IMAGE 2:::

photo by Rick Overby
The Waysout // design
Doesn't it change the literal meaning and intent of the lyrics? Doesn't it even make you hear the melody a little differently? The chords take a different turn? Doesn't it even speak to a different revelation of grace? of GOD?
Doesn't it tell a different story?
But here's the kicker: this means that we, the worship leaders, who have the heavy responsibility of speaking of GOD without using words (always), actually have to confront our own GOD concept, our own cultural education, our own felt-needs around the nature of worship and Divine encounter. That's hard. Our pictures will always give us away.
This is an exciting and eye-opening piece of worship to collaborate over - with people inside your church, with other artists or worship leaders. It requires no special training or responsibility, just a willingness to converse and contribute. It also draws us into natural spiritual formation: we are a picture-based people. We tell our stories and reveal our deep inner understanding through our pictures. To find the images and symbols that rise above contemporary worship culture and speak to the common human story, the Story of GOD, that is exciting and formational.
Story-tellers and Picture-Framers...two more titles to add to your next Worship Leader Job Description. Here's to collaboration on this Great Story!
[For more information on The Waysout and their work, send me a message here on CWT!]
Jodi Adams is a teacher, author, and visionary for community worship. She serves as a teaching pastor and worship pastor at an urban church - Ecclesia Denver - and helps pay the bills by making music in the local funk and jazz scene and teaching young ones how to make their own music.
Her still progressing life journey as a hard-core evangelical to cynical post-church exile to curious and assessing disciple has made her passionate about empowering artists and leaders to take their congregations beyond the Christian culture box. Jodi has contributed to CTI's FaithVisuals.com, GiftedforLeadership.com, Worship Leader Magazine and speaks regularly on the convergence of GOD-concept and transformation, worship, and Church culture shifts.
She's thick in the midst of finishing two books - a liturgy for the creative church and a Christian culture-survivors memoir. JR and her jazzy husband, Justin, live in Denver with their three children: Sara, Anna-Michelle, and Leo, along with their Boston Terriers, Karma and Dogma, the Wonder Dog Duo.
You need to be a member of Creative Worship Tour to add comments!
Join Creative Worship Tour